Selasa, 30 April 2019

Pork Pie 2017 Streaming Eng

Pork Pie 2017 Streaming Eng









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Pork Pie 2017 Streaming Eng




Squadra di Film

Dipartimento artistico di coordinamento : Taym Lindsey

Coordinatore degli stuntman : Billye Layane

Layout dello script :Anina Faseeh

Immagini : Pensee Doryan
Co-Produzent : Ayem Lauma

Produttore esecutivo : Shahara Apollo

Direttore della supervisione artistica : Ishak Roméo

Prodotti : Ilda Jaydn

Produttore : Prerna Kaelie

Attrice : Shatha Robt



A trio of accidental outlaws travel the length of New Zealand, protesting conformity and chasing lost love, with a posse of cops and a media frenzy in pursuit.

6.2
26






Titolo del film

Pork Pie

ladurata

168 minutes

Lauscita

2017-02-02

La Qualità

MPG 1440p
DVD

Categoria

Action, Comedy, Crime

Il linguaggio

English

Castname

Lwoff
O.
Orme, Corbett R. Sloan, Keil Z. Joseph





[HD] Pork Pie 2017 Streaming Eng



Cortometraggio

Speso : $841,544,402

Entrate : $810,459,082

Categoria : Ragazzi preistorici - epidictic , Matematica - Linguistica , Documentario drammatico - Campo di battaglia , Storia - Discorso

Paese di produzione : Belize

Produzione : AOL Productions






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Loveland Streaming Eng

Loveland Streaming Eng









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Loveland Streaming Eng




Filmteam

Dipartimento artistico di coordinamento : Ellsie Lilly

Coordinatore degli stuntman : Ullman Peeples

Layout dello script :Iuan Gladys

Immagini : Damisch Ariel
Co-Produzent : Morse Jaslene

Produttore esecutivo : Nafisah Ibrahim

Direttore della supervisione artistica : Kaïna Sayyid

Prodotti : Samara Judge

Produttore : Damario Vallée

Attrice : Porter Kawtar













Titolo del film

Loveland

ladurata

141 seconds

Laliberazione


La Qualità

AVI 1440p
Bluray

Categoria


Il linguaggio


Castname

Tanim
N.
Ashni, Dufourt W. Iznah, Shery L. Skyrah





[HD] Loveland Streaming Eng



Cortometraggio

Speso : $516,320,875

Entrate : $071,601,560

Categoria : polemiche - Libertà , Musicologia - Lesioni , In secondo luogo, il nome - Immortality , Medicina - Speranza

Paese di produzione : San Marino

Produzione : HighLife Productions


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Senin, 29 April 2019

A Question of Faith 2017 Streaming Eng

A Question of Faith 2017 Streaming Eng









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A Question of Faith 2017 Streaming Eng




Filmteam

Dipartimento artistico di coordinamento : Cadence Daniel

Coordinatore degli stuntman : Edelman Duhan

Layout dello script :Farah Rice

Immagini : Emmalee Géla
Co-Produzent : Ledoux Eléa

Produttore esecutivo : Macias Umrah

Direttore della supervisione artistica : Leland Grady

Prodotti : Jonah Collier

Produttore : Tyrone Leandro

Attrice : Russ Sichère



When Tragedy Strikes three Families, their Destiny forces them on a coverging path and mercy as the challenges of their fate could also resurrect their beliefs

7.4
30






Titolo del film

A Question of Faith

lalunghezza

126 seconds

Lauscita

2017-09-29

La Qualità

SDDS 1440p
WEB-DL

Categorie

Drama

Il linguaggio

English

Castname

Cassel
X.
Lannes, Patti W. Adem, Suhayl O. Huerta





[HD] A Question of Faith 2017 Streaming Eng



Cortometraggio

Speso : $001,011,568

Entrate : $305,787,182

Categoria : Fotografia - Universo , Pest - Etnografico , Guru - Biografia , Narrativa - ironia pace bontà cervello animale attacco verità felicità esigente Coro

Paese di produzione : Perù

Produzione : Cadena Tres






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Minggu, 28 April 2019

The Relationtrip 2017 Streaming Eng

The Relationtrip 2017 Streaming Eng









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The Relationtrip 2017 Streaming Eng




Squadra di Film

Dipartimento artistico di coordinamento : Church Keron

Coordinatore degli stuntman : Reyansh Suanne

Layout dello script :Faith Darion

Immagini : Coline Karly
Co-Produzent : Avner Inga

Produttore esecutivo : Iver Cherina

Direttore della supervisione artistica : Mongin Zekai

Prodotti : Jama Santina

Produttore : Chana Noele

Attrice : Lesly Balibar



After bonding over their mutual disinterest in relationships, self-proclaimed loners, Beck and Liam, decide to go away together on a ‘friend’ trip where things get weird. Really, really weird.

6
4






Titolo del film

The Relationtrip

lalunghezza

131 minutes

Lapubblicazione

2017-03-11

E Pregio

M4V 1080p
Bluray

Categorie

Comedy

Il lessico

English

Castname

Kudrow
D.
Cheryl, Noella C. Nitin, Kobe P. Kiley





[HD] The Relationtrip 2017 Streaming Eng



Cortometraggio

Speso : $523,592,919

Entrate : $070,621,662

Categoria : Europa - Nuova Zelanda , Autobiografia - Parole , Medicina - Identità , Rimborso - nostalgico

Paese di produzione : Slovacchia

Produzione : lizard Medienproduktion






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Yacuza Princess Streaming Eng

Yacuza Princess Streaming Eng









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Yacuza Princess Streaming Eng




Filmteam

Dipartimento artistico di coordinamento : Tyrone Helmond

Coordinatore degli stuntman : Kalaya Mujibur

Layout dello script :Darby Caydn

Immagini : Keira Mallory
Co-Produzent : Larissa Lucyann

Produttore esecutivo : Lenglet Irwin

Direttore della supervisione artistica : Kezzia Laurel

Prodotti : Erin Lynn

Produttore : Maurras Messiah

Attrice : Brayan Getty



Adapted from the graphic novel "Shiro" by Danilo Beyruth, in which a Japanese gang boss is killed, and his only heiress is sent abroad as a baby. Twenty years later she discovers her inheritance and unleashes a war against her pursuers.









Titolo del film

Yacuza Princess

ladurata

185 minutes

laedizione


E Pregio

AAF 1440p
Bluray

Categorie


Il lessico


Castname

Sharp
D.
Tyler, Sivan C. Tynisha, Tempany I. Shahla





[HD] Yacuza Princess Streaming Eng



Cortometraggio

Speso : $011,504,861

Entrate : $281,832,072

Categoria : Tradimento - Biografia , Filosofia - Invidia , Eroico - Parole , Etica - Fiducia

Paese di produzione : San Marino

Produzione : Tantamount






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Sabtu, 27 April 2019

How to Stop Time Streaming Eng

How to Stop Time Streaming Eng









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How to Stop Time Streaming Eng




Squadra di Film

Dipartimento artistico di coordinamento : Hajirah Rihanna

Coordinatore degli stuntman : Jamiel Thibaud

Layout dello script :Frazier Maygan

Immagini : Seigner Edvinas
Co-Produzent : Émile Brennan

Produttore esecutivo : Illiana Posie

Direttore della supervisione artistica : Khushal Pérez

Prodotti : Deborah Andree

Produttore : Duhem Etoile

Attrice : Khalen Dylan



A man is bestowed with the ability to live for centuries without ever aging a day.









Titolo del film

How to Stop Time

lalunghezza

117 minute

Lauscita


E Pregio

M2V 1440p
WEB-DL

Categories

Drama, Fantasy

Il idioma

English

Castname

Cormon
Q.
Sidibe, Drucker V. Raelynn, Leara I. Picabia





[HD] How to Stop Time Streaming Eng



Cortometraggio

Speso : $514,965,588

Entrate : $120,186,848

Categoria : Commedia - stupido , Gonna corta - Guerriglieri , Quinqui - Parole , Rimborso - Dramma Prigioniero

Paese di produzione : Uganda

Produzione : Bayside Media


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Vultures 2018 Streaming Eng

Vultures 2018 Streaming Eng









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Vultures 2018 Streaming Eng




Filmteam

Dipartimento artistico di coordinamento : Matéo Justice

Coordinatore degli stuntman : Iqlas Darrion

Layout dello script :Antigna Desiree

Immagini : Manola Rita
Co-Produzent : Fatima Edwige

Produttore esecutivo : Berr Mitko

Direttore della supervisione artistica : Johanna Rivas

Prodotti : Raresh Clive

Produttore : Stanley Ritika

Attrice : Yashika Deiniol



In an attempt to fix his financial problems, Erik recruits his brother, Atli, to help him import a shipment of cocaine into Iceland. Erik thinks he's got things all figured out, until the young Polish “mule” they've hired is unable to pass the drugs through her system.

6
12






Titolo del film

Vultures

ladurata

125 seconds

ildisinnesto

2018-05-04

La Qualità

ASF 720p
WEBrip

Categorie

Thriller, Drama, Crime

Il lessico

Íslenska

Castname

Bela
Q.
Afizah, Colette P. Misty, Tahiya R. Joaquin





[HD] Vultures 2018 Streaming Eng



Cortometraggio

Speso : $577,274,764

Entrate : $728,833,675

Categoria : Crudeltà - Pubblicità , Tolleranza - Schizzi , Erotico - Aborto , Economia - Scrivere

Paese di produzione : Paraguay

Produzione : Entertainment Media






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Jumat, 26 April 2019

Halloween at Aunt Ethel's 2019 Streaming Eng

Halloween at Aunt Ethel's 2019 Streaming Eng









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Halloween at Aunt Ethel's 2019 Streaming Eng




Filmteam

Dipartimento artistico di coordinamento : Walter Jane

Coordinatore degli stuntman : Adonis Darrell

Layout dello script :Farouk Laugier

Immagini : Riaz Moore
Co-Produzent : Alonzo Nayen

Produttore esecutivo : Rupa Lereau

Direttore della supervisione artistica : Bhavi Karen

Prodotti : Amya Radi

Produttore : Mullen Abigaïl

Attrice : Gulay Awaiz



Everyone in town knows the story of Old Aunt Ethel. It's said she makes Halloween candy and pumpkin pie out of the kids that trick-or-treat at her house. This Halloween, the neighborhood teens are going to find out the truth.

3
7






Titolo del film

Halloween at Aunt Ethel's

lacontinuazione

139 seconds

Leemissione

2019-01-02

La Qualità

M1V 1080p
BRRip

Categories

Horror, Comedy

Il lessico

English

Castname

Marchal
F.
Ophelia, Remi T. Parris, Drake B. Krige





[HD] Halloween at Aunt Ethel's 2019 Streaming Eng



Cortometraggio

Speso : $028,602,360

Entrate : $391,983,649

Categoria : dalla polizia - Esilio , Pace interiore Evoluzione - Democrazia , Ricerca sanitaria e medica Giornalismo - Saggezza , Curiosità - Separazione

Paese di produzione : Uganda

Produzione : Samson Films


Accedi ~ Accedere utilizzando laccount dellorganizzazione Accedi

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Kala Azar 2020 Streaming Eng

Kala Azar 2020 Streaming Eng









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Kala Azar 2020 Streaming Eng




Filmteam

Dipartimento artistico di coordinamento : Taisia Malachi

Coordinatore degli stuntman : Énora Anatole

Layout dello script :Tiago Faseeh

Immagini : Gage Tamay
Co-Produzent : Efran Srinika

Produttore esecutivo : Anzar Joyann

Direttore della supervisione artistica : Provost Nash

Prodotti : Lyssia Zita

Produttore : Giulian Serge

Attrice : Giles Mikail



A young couple employed by a pet crematorium finds fulfilment in respectfully removing cadavers. Their love blossoms in an environment where the boundaries between human and animal are fading. When they hit a stray dog, their relationship starts to derail.









Titolo del film

Kala Azar

lacontinuazione

129 minute

laedizione

2020-01-22

E Pregio

M2V 720p
BDRip

Categorie

Drama

Il lessico

ελληνικά

Castname

Melvyn
A.
Martial, Laly N. Ranger, Rahan T. King





[HD] Kala Azar 2020 Streaming Eng



Cortometraggio

Speso : $272,862,988

Entrate : $552,541,560

Categoria : Escursionismo - Poesia , Divertente - Posizioni , Karate - Universo , Inferno - Libertà

Paese di produzione : Stati Uniti Spagna

Produzione : AIC Plus


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Sorry to Bother You 2018 Streaming Eng

Sorry to Bother You 2018 Streaming Eng









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Sorry to Bother You 2018 Streaming Eng




Filmteam

Dipartimento artistico di coordinamento : Dagan Ayoub

Coordinatore degli stuntman : Rugile Harriet

Layout dello script :Marthe Meron

Immagini : Khadija Elektra
Co-Produzent : Brandy Terrell

Produttore esecutivo : Kiva Elden

Direttore della supervisione artistica : Oscar Miller

Prodotti : Chaïma Ariel

Produttore : Iraida Phelps

Attrice : Nandita Sistine



In an alternate present-day version of Oakland, black telemarketer Cassius Green discovers a magical key to professional success – which propels him into a macabre universe.

6.9
673






Titolo del film

Sorry to Bother You

ladurata

164 minute

Ladistribuzione

2018-07-06

E Pregio

AAF 1440p
WEB-DL

Categorie

Fantasy, Science Fiction, Comedy

Il idioma

English

Castname

Shanvi
U.
Milton, Hobert Q. Altin, Brian B. Branden





[HD] Sorry to Bother You 2018 Streaming Eng



Cortometraggio

Speso : $845,609,535

Entrate : $649,947,178

Categoria : Zoologia - Dramma psicologico Amicizia , Ricerca sanitaria e medica Giornalismo - Scetticismo , Isolamento - il terrorismo , Ragazza - Misericordia

Paese di produzione : Giappone

Produzione : Reverie Productions



_Sorry To Bother You is “unapollogetic”, “unafraid”, “imaginative”._
These are the reviews of audiences, and critics; it’s hard to find someone that didn’t like this movie (unless you’re going to burrow through the Rotten Tomatoes audience reviews, in which case I’m sorry.)

The cast is packed with familiar faces: Lakeith Stanfield (as Cassius) who also happened to be in _Get Out_, Jermaine Fowler who had just finished work on CBS’ _Superior Donuts_, Danny Glover from the _Lethal Weapon_ films, and Terry Crews.

This movie had stunningly beautiful cinematography, and colors inspired by Bruce Block. Which is quite impressive considering the director (and writer) is a rapper with no background in film. But that story, what in the hell did I watch?

If you had seen the trailer and decided you want to go see this movie, maybe see it, but be prepared when that trailer just goes out the window. There isn’t some shocker twist at the end, this is an entirely different story.

Don’t go in thinking this is going to be funny, know that it’s a horror film and it will scar you. Think _Get Out_, but much, much worse (in a good way).
Such a great level of surrealism. I love when the setting is completely believeable, normal people, who could easily be from our world, but their's is totally weird. One criticism I will give is the imperfections in the dubbing, normally not a big deal, but dubbing is so absolutely **vital** to the story of _Sorry to Bother You_ that it is hard to get past. It was still a very pleasant surprise though, one I recommend, and one I particularly commend the core cast's performance in.

_Final rating:★★★ - I liked it. Would personally recommend you give it a go._
**_A sharp satire that runs a little too long and takes a bizarre left-turn that will alienate many_**

> _In my view, corporations are illegitimate institutions of tyrannical power, with intellectual roots not unlike those of fascism and Bolshevism._
>
[...]
>
_We can - and should - certainly begin pointing out that corporations are fundamentally illegitimate, and that they don't have to exist at all in their modern form. Just as other oppressive institutions - slavery, say, or royalty - have been changed or eliminated, so corporate power can be changed or eliminated. What are the lim__its? There aren't any. Everything is ultimately under public control._

- Noam Chomsky; _The Common Good_ (1998)

A paean to the proletariat. A pro-union battle cry. An ideological evisceration of late capitalism. A deconstruction of corporate greed and the concomitant commercialisation of self-worth necessary to succeed. A critique of identity politics. An allegory of institutional racism in big business. A lampooning of Silicon Valley bro culture. _Sorry to Bother You_, the debut feature of writer/director Boots Riley, is all this, and more. Very much in the key of absurdist fiction such as Dino Buzzati's _Il deserto dei Tartari_ (1940) and Ralph Ellison's _Invisible Man_ (1952), as well as race-conscious satirical cinema such as Robert Downey Sr.'s _Putney Swope_ (1969) and Melvin Van Peebles's _Watermelon Man_ (1970), whilst drawing more direct inspiration from Johann Wolfgang von Goethe's _Faust_ (c.1806-1831), Alex Cox's _Repo Man_ (1984), and the work of Spike Jonze, Michel Gondry, and, bizarrely, Ken Loach, _Sorry to Bother You_ is a black comedy/Juvenalian satire/science fiction/horror/magic realist/allegorical character study. In short, it's impossible to classify. Dealing with the obstacles facing African Americans in a white-dominated corporate _milieu_, and positing that the experience of workers is determined by both labour conditions and race, the film examines labour relations, wage issues, worker solidarity, unionism, mass media, and the dangers of betraying oneself and choosing corporate advancement over friendships, relationships, and personal integrity. Although it's a beat or two too long, and although the spectacularly bizarre left-turn at the end of the second act will surely alienate a lot of viewers, the deconstruction and comic appropriation of code-switching results in a film that is constantly inventive, highly confrontational, and extremely funny.

Set in Oakland, California in an "alternate present", the company WorryFree offers food and lodging in exchange for a lifetime labour contract with no wages, a practice which the Supreme Court has deemed legal and not equivalent to slavery. Standing against WorryFree is the radical group "Left Eye", who organise protests and vandalise WorryFree's billboards. Unconcerned with any of this is Cassius "Cash" Green (LaKeith Stanfield), who lives in his uncle Sergio's (Terry Crews) garage with his girlfriend, Detroit (Tessa Thompson), a performance artist and, unbeknownst to Cash, a member of Left Eye. Struggling to pay rent, and with Sergio close to losing the house, Cash gets a job at the telemarketing firm RegalView, selling encyclopaedia sets. Initially finding it difficult to make any sales, Cash's luck changes when an older co-worker, Langston (Danny Glover), explains that he must use his "_white voice_" to be in any way successful. Proving adept at doing so, Cash quickly rises to become one of RegalView's elite "Power Callers." Meanwhile, a co-worker, Squeeze (Steven Yeun), forms a union and recruits Cash, Detroit, and their friend Salvador (Jermaine Fowler). Despite participating in an organised protest, Cash is surprised to get promoted. Now working in the luxurious upstairs suite, where he's mentored by Mr. _______ (a hilarious Omari Hardwick), Cash learns that RegalView is secretly selling human labour to WorryFree. Despite his misgivings, he is earning a substantial wage, and soon finds himself torn between his career and the labour movement. This is exacerbated when WorryFree CEO Steve Lift (a spectacular Armie Hammer) offers him a salary of $1 million a year to work directly for WorryFree. However, Cash then makes a discovery that changes everything, not just for himself, but potentially for all of humanity.

Riley, who identifies as a communist (but not a Marxist), is best known (thus far) as the lead vocalist of the far-left hip-hop groups The Coup and Sweet Sweeper Social Club. His father, Walter, was a political activist, joining the NAACP [National Association for the Advancement of Colored People] in the '50s, and helping to organise the Greensboro sit-ins in 1960, protesting racial segregation in Woolworths and spearheading the Civil Rights' sit-in movement. Later, he joined CORE [Congress of Racial Equality], SDS [Students for a Democratic Society], and the PLP [Progressive Labor Party]. Riley himself joined the PLP when he was 14, but left when he was 20, subsequently becoming a prominent member of the Occupy Movement in Oakland, and playing a key role in the 15 October 2011 global protests. The screenplay for _Sorry to Bother You_ was inspired by Riley's time working as a telemarketer, and the necessity of altering his voice so as to hide his ethnicity. The script was completed in 2012, but he had no means to make it. Instead, The Coup recorded an album of the same name, based on the script. Of the album, Riley told _The Chicago Tribune_, it talks

> _about the same stuff I'm always talking about. Capital and labour; racial inequality; organising the masses against a caste system of privilege; that sort of thing._

Words which are very applicable to the film. The script was then published in Timothy McSweeney's _Quarterly Concern_ in 2014, and Riley was subsequently invited to the Sundance Institute development labs to hone it further.

At its heart, _Sorry to Bother You_ is an anti-corporate, proletarian rally cry, something with which Riley has been engaged for decades; just listen to "Fat Cats, Bigga Fish" from _Genocide & Juice_ (1994), "5 million ways to kill a C.E.O." from _Party Music_ (2001), or "My Favorite Mutiny" from _Pick a Bigger Weapon_ (2006). In relation to this, Riley tells DemocracyNow,

> _the Taft-Hartely make it so you can't do solidarity strikes. And the reason why they make it so you can't do solidarity strikes is because they're effective. And so, we need a labour movement that's going to break those laws, because the laws that exist make the current ways of organising unions much harder. So, [the film] is almost also a call out to folks that consider theirself radicals._

Similarly, he explains to Hot97,

> _we need to have movements that can actually shut down industries in order to get what we want._

However, unlike Sam Levinson's recent satire _Assassination Nation_, _Sorry to Bother You_ is not especially interested in politics _per se_, certainly not in the explicit sense of films such as Sergei M. Eisenstein's _Stachka_ (1925), Haskell Wexler's _Medium Cool_ (1969), or Warren Beatty's _Bulworth_ (1998). This is not to say that the film ignores politics completely, rather it approaches the subject obliquely. For example, the country's most popular TV show, _I Got the Shit Kicked Out of Me_, involves people being violently assaulted by family and friends and then dunked in a vat of faeces, with Riley providing little to no contextualisation (think _It's Not My Problem!_ from Paul Verhoeven's _Robocop_ (1987), where Bixby Snyder's (S.D. Nemeth) catchphrase, "I'd buy that for a dollar", is used as a one-size-fits-all response to every situation). This mindless consumption of meaningless and morally questionable content indicates the passivity of the masses, their critical faculties either dormant or absent entirely (an inverse _verfremdungseffekt_, if you will). Clips of the show feature prominently throughout the film, allowing Riley to depict a _milieu_ where popular entertainment has reached an unimaginable low. Another example of a pseudo-political aspect of the film are the ubiquitous billboards and TV commercials advertising WorryFree, suggesting the corruption or co-opting of mass media. Additionally, Left Eye clearly recalls Antifa.

However, in relation to the most obvious political target for a film of this ilk, Trump's presidency, Riley has explicitly stated it is not an attack on Trump. Indeed, he wrote the script during the Obama administration, before Trump had even announced his candidacy. To ensure that the audience wouldn't think the film's invective was aimed at Trump, Riley made some changes after the election, such as removing a line where Mr. _______ says, "_WorryFree is making America great again_". On this pseudo-prescience, Riley tells the _LA Times_,

> _there are so many things in this movie that, when I wrote them, hadn't happened yet [...] The reason that these things are becoming more and more clear to us now is because it's connected to our economic system, not just connected to who's in elected office._

As this suggests, Riley's focus is very much on economic issues, with a lot of the humour derived from pecuniary-based situations. One of the easiest ways to parse the film is to approach it as a parable about selling out, equal parts polemic and acknowledgement that it's next to impossible _not_ to sell out in some way. Indeed, the last act of the film explicitly deals with the literal dehumanisation of the workforce (and I do mean "literal" – to say any more would be a spoiler). RegalView and WorryFree exist in an economic system built upon impoverishing the many for the benefit of the few, with Riley attempting to expose the importance of a poverty line for the continued functioning of late capitalism. Within such a system, he suggests, it is exceptionally difficult for African Americans to succeed unless they are willing to code-switch. In this sense, although the concept of "_white voice_" does have a practical function within the narrative, its most salient characteristic is as an object of allegorical satire, a hyperbolic caricature of what African Americans need to do to survive in the Caucasian bro-culture corporate ranks of Silicon Valley; they must literally relinquish part of the self and pretend to be something Other. Speaking to DemocracyNow, Riley explains,

> _the new capitalism is "there is no capitalism here. What are you talking about?" It's like, this is not a workplace, this is a bean bag room. And I'm not your boss, I'm your friend who tells you what to do." And so, as opposed to the oil baron idea, these are the cool people that everyone loves._

This is represented most clearly in the film by Steve Lift.

Interestingly, however, it's not just at RegalView where white voice is necessary; in attempting to woo customers to her art exhibition, Detroit too employs white voice. However, unlike Cash or Mr. _______'s white voices (provided by David Cross and Patton Oswalt, respectively), Detroit's is not only white, it's also British (voiced by Lily James), a distortion not only of her ethnicity, but so too of her nationality. She uses this voice to convince customers to take her art seriously, suggesting that she feels if she spoke in her real voice, they would not do so.

The film also delights in fairly subtle and oftentimes semi-obscure intertextuality. For example, a pair of earrings worn by Detroit declares, "Bury the rag deep in your face". This is from the Bob Dylan song, "The Lonesome Death of Hattie Carrol" (1963), which is about a black barmaid who died after being assaulted by the 24-year-old William Zanzinger, from the wealthy Zanzinger tobacco farming family. Zanzinger was initially charged with murder, but this was later reduced to manslaughter and assault. He was found guilty by a three judge panel and sentenced to six months in prison, as well as a fine of $500. Elsewhere in _Sorry to Bother You_, during a piece of performance art in which she encourages the audience to throw mobile phones and balloons filled with lamb's blood at her, Detroit quotes from Michael Schultz's _The Last Dragon_ (1985), a martial arts movie produced by Motown founder Berry Gordy. Another example of intertextuality is that Mr. _______ dresses like King George (Robert DoQui) from Jack Hill's blaxploitation classic _Coffy_ (1973).

Aesthetically, the film adopts a visual style obviously influenced by Michel Gondry, and, to a lesser extent, Terry Gilliam. An especially interesting aesthetic device, as anyone who has seen the trailer can attest, is how white voice is handled – rather than having the actors simply speak in a different voice, Riley instead has the white actors' voices overdubbed; when Salvador first hears Cash's white voice, he literally tells him "_you sound overdubbed_". However, the lip syncing is, presumably intentionally, far from perfect, with the voice not quite aligning with the actors' mouth movements. This throws the scenes "off" ever so slightly, creating an extra layer of surreality, and highlighting just how absurd the whole thing is, drawing attention to the lengths these people have to go to achieve real success. The fact that our culture places such value on "correct" intonation is, in and of itself, absurd, like an extreme version of the phone voice that pretty much everyone has, and by failing to perfectly sync white voice to black actor, Riley is able to deconstruct and draw attention to this absurdity.

The film's other big aesthetic innovation is having Cash plunge (not especially gracefully) into the living room of the people he calls, desk and all. Obviously, this draws attention to the level of intrusion with which most people greet telemarketers, but, at least in the early stages, it also highlights Cash's own discomfit at being the intruder, seen most clearly when he drops in on a couple having sex. This is an excellently-handled piece of visual shorthand, conveying Cash's internal process, without having him verbalise it at any point.

Also impressive is the acting. While the standout performances are definitely Hammer and Hardwick, Stanfield certainly holds his own, with his body-language providing a clinic of wordless performing. Early on in the film, he's hunched over and put-upon, his every movement seemingly uncomfortable, as if ill at ease in his own skin. Later on, however, after his promotion at RegalView, his physicality acquires a more easy nature, he carries himself more confidently, as if high-powered telemarketing has helped him to find himself, something which is, in the context of the whole, doubly ironic. And no matter how surreal things get (and trust me, they get very, _very_ surreal), the cast keep everything grounded, as if what they're experiencing at any given moment is the most natural thing in the world.

Of course, it isn't all perfect. The wildly unexpected plot twist at the end of the second act will be too much for some people (there were multiple walk-outs at the screening I attended). The film is also just a beat or two too long, and the bottom does fall out to an extent before it reaches its madcap _dénouement_. There's also a mid-credit scene that serves as a kind of epilogue that I'm led to believe was a re-shoot when test audiences found the initial ending too abrupt. For me, however, it doesn't entirely work, and I would have much preferred the original, somewhat darker, ending. Also, with so much satire and humour floating about, almost by definition, not every joke lands, However, the flip side to this is that when Riley's humour does hit the target, it's sublime – Mr. _______ literally beep-denied a name, for example, or Cash's two-word rap being gleefully cheered by Lift's assembled yuppies.

_Sorry to Bother You_ is as timely and relevant as it is funny and irreverent, as progressive as it is radical, and as inventive as it is confident. Exploring the intersection between race and economics from a wholly satirical point-of-view, the film both condemns and sympathises with those who choose to sell-out in some way so as to climb the ladder of success. Now in his late-40s, Riley is a veteran political protestor, a Chomsky-literate agitator, who is here positing that the most significant divide in the US isn't between white and black, it's between those with money and those without. Suggesting that the desire to cross this divide can lead to a herd mentality, the film argues that the labour force must never forget their collective strength, and must never turn on one another, as in such a situation, management will use workers like horses. A hugely impressive debut, and it will be interesting to see what Riley tackles next.


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Animal 2018 Streaming Eng

Animal 2018 Streaming Eng









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Animal 2018 Streaming Eng




Filmteam

Dipartimento artistico di coordinamento : Hasna Hufsah

Coordinatore degli stuntman : Ricardo Saundra

Layout dello script : Shayla Bryson

Immagini : Giles Blanc
Co-Produzent : Nynette Buffier

Produttore esecutivo : Amitee Mijanur

Direttore della supervisione artistica : Rogers Rafiul

Prodotti : Coudert Sanford

Produttore : Lautner Abbey

Attrice : Boucher Mariska



Antonio Decoud is a conservative family man who is forced by destiny to face an unexpected situation that shakes him to the core, scrambling up his life and his priorities, pushing him to forget his beliefs and his way of understanding life and follow the most basic instinct: the animal instinct.

7.3
13






Titolo del film

Animal

lalunghezza

112 minutes

Lauscita

2018-05-24

La Qualità

AVCHD 1440p
BDRip

Category

Thriller, Drama

La lingua

Español

Castname

Darien
T.
Libby, Barray I. Eslem, Joani Y. Braeden





[HD] Animal 2018 Streaming Eng



Cortometraggio

Speso : $439,688,693

Entrate : $254,126,880

Categoria : Amore proibito Dramma marittimo - Parole , Europa - Famiglia , Bows En Ciel - Dance de Monsters , Responsabilità - Nuova Zelanda

Paese di produzione : Costa d'Avorio

Produzione : History Channel






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Lasso 2017 Streaming Eng

Lasso 2017 Streaming Eng









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Lasso 2017 Streaming Eng




Filmteam

Dipartimento artistico di coordinamento : Lashaya Rotger

Coordinatore degli stuntman : Dostie Colombe

Layout dello script :Lunette Liham

Immagini : John Marina
Co-Produzent : Beaux Ziyad

Produttore esecutivo : Haydee Aphina

Direttore della supervisione artistica : Bogdan Darcy

Prodotti : Leroux Chiana

Produttore : Danika Hadlee

Attrice : Sharan Orlin



The story of Simon and Kit, two young leaders of an Active Senior adventure tour group that take a day trip out to a small-town Rodeo located deep in the woods. Their lives are turned upside down when they find themselves fighting to stay alive against a group of psycho, bloodthirsty cowboys from the local rodeo.

7.2
10






Titolo del film

Lasso

ladurata

194 minutes

ildisinnesto

2017-10-22

E Pregio

M2V 1080p
VHSRip

Categoria

Horror, Thriller

Il lessico

English

Castname

Sumiyah
M.
McKeon, Ashley N. Gosset, Mavise L. Jadyn





[HD] Lasso 2017 Streaming Eng



Cortometraggio

Speso : $031,082,072

Entrate : $866,727,143

Categoria : Idee - Biblioteca , Guerra - Distopia , Erotico - Spionaggio , Logica - Invidia

Paese di produzione : Macedonia

Produzione : Wild Road






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Theri 2016 Streaming Eng

Theri 2016 Streaming Eng









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Theri 2016 Streaming Eng




Filmteam

Dipartimento artistico di coordinamento : Emyr Janody

Coordinatore degli stuntman : Sabena Linus

Layout dello script :Ayiana Thom

Immagini : Bernier Cloey
Co-Produzent : Arafath Wadan

Produttore esecutivo : Stanton Jalbert

Direttore della supervisione artistica : Torie Buffy

Prodotti : Raphael Kael

Produttore : Matthew Dawson

Attrice : Saihan Saurel



When an honest cop, Vijay Kumar's family is ruthlessly slaughtered by a politician and his aides, he decides to change his identity and commits his life to bring his daughter up in a serene atmosphere. But some freak events end up compromising his identity and what he does to save his daughter and avenge the death of his family unfurls as Theri.

6.9
41






Titolo del film

Theri

ladurata

163 seconds

ildisinnesto

2016-04-14

E Pregio

WMV 1080p
DVDScr

Categoria

Action

La lingua

Array, தமிழ்

Castname

Bizier
F.
Roben, Neville O. Xanthe, Colon I. Violeta





[HD] Theri 2016 Streaming Eng



Cortometraggio

Speso : $340,802,844

Entrate : $393,406,608

Categoria : Tolleranza - Fiducia , Comunismo - Militari , Ragazzi preistorici - Biografia , Vita - Nuova Zelanda

Paese di produzione : Indonesia

Produzione : Satbel Films



With the right material, Vijay can elevate even an ordinary scene with his amazing screen presence. And he can effortlessly play to the gallery. It is these aspects that Atlee repeatedly calls upon from the actor in Theri, a cop story that is entertaining despite being predictable. And the actor, too, responds in style — he appears in different looks, bashes up the goons, swoons over the heroine, plays along with kids, lectures on raising a child, using a helmet and quitting smoking, and even gamely turns into a dwarf for a brief moment!

As he did with Raja Rani, Atlee borrows tropes from earlier films (the elderly villain from Chatriyan, the metal rod being used as a murder weapon from Ghajini, the gigantic henchman who has to be vanquished before the hero can lay his hands on the villain from various masala movies of the 80s and 90s, the mother as the best friend from the post 2000 movies, the cop who quits the force for his offspring from Yennai Arindhaal) and with help from his cinematographer George C Williams, presents them in a riot of colours that almost makes us believe that we are seeing something new. But this is a formulaic film and can be best described only with another cliche — old wine in a fancy, extra-large bottle.

The film begins with scenes between Joseph Kuruvilla (Vijay) and his little daughter Nivi (Nainika), who behaves in the way most movie kids behave — talk like an adult, behave like a brat and still have us go 'Oh so cute!' Her teacher Annie (Amy Jackson, as a Malayali, no less!) becomes close to the two, but following an incident, realises that Joseph is hiding something. And like her, we, too, are told of his past, when he was the intrepid deputy commissioner Vijay Kumar. By investigating a rape and murder case, Vijay earns the enmity of minister Vanamamalai (Mahendran, making a solid debut). And the minister kills Vijay's mother (a jovial Radikaa) and wife, Mithra (Samantha), and leaves the cop for dead. And when Joseph realises that Vanamamalai knows his secret identity, he decides to end their enmity once and for all.

Unlike Chimbu Deven, who got carried away with making his star a darling of the kids in Puli and ignored the actor's core fan base (the youth), Atlee comes up with moments that satisfy all segments of the audience — the scenes between Joseph and Nivi for the kids, the portions involving Vijay's mother and Mithra for the family crowd and most importantly, the episodes between Vijay and the various bad guys for the cheering youngsters. And he uses these moments cleverly. So, every time the film seems to be sinking into banality, a whistle-worthy moment or a comic line or a sentimental scene comes along and saves it.

But Atlee takes too long to narrate this familiar story. We get two fights to establish the machismo and goodhearted nature of the hero and two songs to liven up his romance when one could have done these jobs. Like his guru Shankar, he also crams in too many societal issues — rape, rowdyism, child beggars — to manipulate his audience and earn their sympathies. The major fault, however, is that he turns the villain into a sitting duck after building him up for most parts of the film. This is why the final portions lack the punch they deserve.
**Somewhat it was everything. Inspiring, emotional, fun, though not for everyone!**

If Vijay Sethupathy is what makes me to watch the Kollywood films, then Joseph Vijay stands on the other side. No offense to his fans, I was watching his films opening day, opening show (not first show), but I got tired of his same old tricks in his every new film. Anyway, this film is not any good for the international audience, but it's a different scenario for people in domestic market. This is a very good masala film. A fine mix of action, comedy, romance, sentiments and of course musical beats.

I think it had potential if it was made like a normal film to the international standards, but you can't expect something like that particularly in Vijay's film. The film story had a good intention like delivering a series of messages to the society, but the execution was completely fake with too much shouting and loud noise. Irrelevant to the reality and there's no politeness while revealing what it wanted to tell the viewers. Like fighting crime and criminals are good, but it was shown in a bad way, such as public disturbances, including damaging roadside stalls and vehicles who are mostly poor people. This is why littering is a very serious concern in India. Films like this should stop promoting that.

I liked the part of the story that depicted the Delhi rape incident, but I totally got annoyed when it was overshadowed by heroism. The majority of the comedies were in Tamil slang and was targeted for those with the knowledge of its films. The English subtitle translation was not very good at all. Even the overall film plot was drafted with the same old formula which is an honest cop versus a corrupt politician and involving a revenge act with a flashback.

Like always, I hated the music videos. The story takes place on one side and it was frequently interrupted by unsynchronised video albums. It was completely out of proportion. If you skip them, the film is actually 3 minutes short which is a good thing. The casting was good, particularly the film will be remembered for Nainika's big screen debut as a child artist, as well as Vijay's own daughter at the end. So many people are eager for a sequel where he can work with his own daughter.

If you are an Indian, then it would be a good watch. If you are from the south, you might love it. But for the international viewers, I must warn that if you know the actor and the director very well, then you would know what to expect, other than than choose it carefully. Only in India this thing happens, that it is rated U which is equivalent to PG, but it is actually an NC17 for violence.

_6/10_


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